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Art Market talks in the VIP Lounge
Deutsche Bank supports the ART COLOGNE 2006



This year, Deutsche Bank is once again sponsoring the ART COLOGNE art fair in Cologne, Germany. From November 1 – 5, 2006, Deutsche Bank Art and Deutsche Bank Private Wealth Management will be present at Germany’s most important art fair with a wide array of activities, including its VIP Lounge designed by Karim Rashid, discussion forums on the art market, and a presentation of a selection of works from the Deutsche Bank Collection.



Draft by Karim Rashid for Deutsche Bank's VIP-Lounge
at Art Cologne 2006
©Karim Rashid

In the anniversary year of the fair – which is taking place for the 40th time this year – the bank is presenting itself with an exclusive VIP Lounge in the Rheinhallen (Hall 5, Booth J 40). Transparent floors, organically flowing walls, and computer-generated net ornaments envelope the visitor in an abundance of visual impressions. In Cologne, the 46-year-old New York-based designer Karim Rashid combines bright colors and lounge comfort to create a futurist ambience that offers unusual perspectives and point of view. The installation reflects Deutsche Bank’s commitment towards facilitating access to contemporary ideas.


Draft by Karim Rashid for Deutsche Bank's VIP-Lounge
at Art Cologne 2006
©Karim Rashid

It’s become one of the bank’s traditions to present pioneering design in the lounge at ART COLOGNE. Last year, in cooperation with Deutsche Bank Art, the renowned AD Magazine presented an extraordinary environment at the Cologne fair under the motto Living with Art. The living environment, designed especially by AD, created an unusual site of experimentation combining a show of international contemporary art from the Deutsche Bank Collection with examples of exclusive living culture. While last year works by Richard Prince, Rosemarie Trockel, and Richard Artschwager were juxtaposed with select pieces by various designers, this time the lounge will be transformed into a vision of Rashid’s.


Draft by Karim Rashid for Deutsche Bank's VIP-Lounge
at Art Cologne 2006
©Karim Rashid

The Cairo-born designer had his international breakthrough with a waste bin, of all things – a round trash can with an erect handle that he designed in plastic for the Canadian firm Umbra. He personalized it with the name Garbo and wound up with a huge hit. Since 1995, almost 10 million copies of the colorful bin have been sold at $12 each. That made Umbra an internationally known brand, and Rashid a star and prophet for a new design philosophy called Blobism: the design of round and organic forms in brash pop colors. Since that time, he has been designing everything from bags, mousepads, credit cards, ballpoint pens, and fabrics to "cyber-clothes" – indeed, everything to entire seating landscapes. For Alessi, he developed the watch Kaj; for Miyake the flask for Eau d’Issey; for Toshiba he designed a stereo system. Firms like Coca Cola, Estée Lauder , and Sony count among his clients. And now, for Deutsche Bank, he has created a futurist room ensemble at the ART COLOGNE.



Marc Quinn, from the series Winter Garden, 2004,
Deutsche Bank Collection



His fluorescent-colored lounge serves as a communication forum for the bank’s many client and discussion events. Thus, with its debate series "Art Market Talks," Private Wealth Management seeks to create a bridge between art as regarded from an artistic as opposed to a material view. Private Wealth Management is the bank’s team for advising wealthy clients on art-related matters. The team assists clients, for instance when they wish to transfer large fortunes including art or to form foundations with cultural backgrounds – all the way to founding a new museum.




Marc Quinn, from the series Winter Garden, 2004,
Deutsche Bank Collection



In harmony with Rashid’s lounge concept in Cologne, Deutsche Bank is presenting the series of Wintergarden prints by Marc Quinn. The English artist’s deliberately artificial-seeming photographs of plants form a visual counterpart to the futurist interior design. Nature’s perfection is one of Quinn’s key themes, as his latest works show, for instance the Flower sculptures cast in silicon.


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